Monday, October 13, 2014

From The Marsh Hen

     Ferolene of Tincup is a story of discovery.  A lost sign or symbol from a forgotten past turns up during an incident in a children's game.  Here is the opening passage.  The entire chapter can be read on the website. www.marshbooks.com


Chapter 3.                            Rosewell

     In the high heat of the Georgia summer, Ferolene and Lilun regularly hauled Carey’s galvanized metal washtubs outdoors, filled them at the pump, and dragged them by their handles across the sandy yard to a shady spot beneath the sage trees.

     Dressed in their bathing suits, they slid down to their shoulders in the cool water and splashed as much as the tubs’ confines allowed, while discussing future enterprises and current projects, the acquisition of a new jump rope, investigation of a recent news bulletin concerning used, high-top roller skates for sale at the Tincup grocery. 

     The tubs full to the brim, each dared the other to duck under all the way, to practice for the future swimming pool where they would dive and perform ballet movements beneath the water in emulation of their aquatic heroine from the picture show.

     Ferolene perfected a shoulder stand that allowed her to balance precisely with her hands pressed against the bottom of the tub, her head and face fully submerged, her long, skinny legs lifted straight up into the air, toes straining skyward.  She told Lilun she could see high clouds through the lens of the tub water.

     Lilun’s own shoulder stand was precarious, far more wobbly than that of her friend, and compromised by intense fear of accidentally inhaling water, something that happened time and again, resulting in coughing, spluttering, and tears.  Ferolene patiently coached and encouraged, advising Lilun on just how to hold her breath, how to exhale slowly, praising again the unique beauty of the outside world viewed from beneath the water.

     Carey sat in the kitchen beside the open door, her mending in her lap, listening to the conversation in the back yard.  She had just made up her mind to intervene lest Lilun finally drown in a washtub full of water, when an entirely different accident drew her outdoors.    

     All at once Ferolene drew her head up out of the water and shrieked, high and loud.  She splashed her feet straight down into the washtub, jumped over the side, and, clapping one hand to her bottom, danced up and down, whimpering in pain.

     Carey dropped her needle and ran quickly to draw the wet bathing suit down over the child’s hips.  Immediately, she spotted the tiny, guilty stinger hanging fast in the swelling flesh.  Ferolene had been stung on her backside as she raised it up into the air where the buzzing bees were working the purple sage blossoms nearby.  The bee attacked the upper thigh just below the edge of the protecting garment.

     Above the sting, on Ferolene’s otherwise smooth round buttock, Carey’s eye fell on a sight that took her breath away.

     A scar, a concave rope of pink flesh, shaped in a perfect curve like the bottom of a small boat, three miniature knots resting above and within its interior space, like three peas in a row, marked the child’s body, carved into her skin. 

     Ferolene heard the sharp intake of breath and looked around over her shoulder at Carey.

     “I’m, I’m, uh….., I’m just gone run in and get the tweezers for to take out that bad stinger,” Carey stammered.  “An I’m gone bring some salve to make the burn go way. You be a brave lil’ gal and you stand still one minute – I be right back.”

     She reeled toward the kitchen door, grasped the edge of the table inside, and lowered herself into the chair, her knees trembling.  The face of an old woman, framed in a thicket of snow white hair, hovered before her eyes, her great-great-grandmother, born into slavery in Gloucester County, Virginia.

     Carey was twelve years old in the summer of 1902, when her mother took her to visit the old woman at the great plantation called Rosewell.  Home of the Page family, it was the finest, most beautiful house ever built in Virginia, she was told.  Mister Thomas Jefferson himself had often come over to stay with Mister John Page, ferrying across the York River from Williamsburg, where they were both studying at the College of William and Mary.  They used to sit up on the great lead roof between the glassed-in turrets, all in the dark, watching the stars through the telescope they kept up there, talking long into the night.

     Pictures crowded into her mind, memories of the smoky cabin, the strong smell of greasy tallow, the sad look of the enormous brick house, the largest she had ever seen, unhappily altered by time and an irreverent owner, many of its window panes broken or missing, like eyes put out and left to stare into a void. 

     No recollection, however, remained as robust and resilient as that of the old woman’s admonition, or of the hoarse but imperative tones of her voice.  Carey must swear an oath to remember everything she was told that day, her twice great grandmother had said.  It was a sacred trust to know about the sign, and the knowledge of it a responsibility not to be taken lightly.  It was the mark of a great queen, one of marvelous saving power, a sign passed down from one generation to another since the beginning of time. Carey would surely see it one day.  She was bound to see it.  She must know it when she did. 
     And Carey had just seen it here.  In Tincup, Georgia.  On the backside of Ferolene Ann Banks.

    

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